少女归来斗后妈，古堡惊魂局中局，心惊肉跳的沉浸挑战，命悬一线的血色猎杀。神秘孤岛上只有一座何家古堡，以前死过很多人。半瘫少女何思怡离家17年后归来，父亲却离奇失踪，迎接她的是美艳温柔的继母、风度翩翩的私人医生、年轻健硕的司机和万般贴心的女佣等人。这一切看似平静，但不时响起的古怪声音，似有若无的血腥气味，似乎都藏着这座古堡不可言说的秘密，一步步将这家人拖入万劫不复的深渊，一场蓄谋已久的复仇大戏渐渐拉开帷幕……

讨厌爵士的泰伊（池镐根 饰）和想自由演奏爵士的世宪（金真权 饰），因为学校课程被分到一组进行爵士合奏。就像在没有规定规则的情况下即兴演奏的爵士一样，他们想要摆脱怎样的过去？充满紧张感的爵士合奏即将拉开帷幕。

From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.

Set in London, Deep Cover sees three improv actors hired by the police. Their instinct to “always say yes” without breaking character leads them deep inside the capital’s criminal underworld.

孤岛深宅暗藏致命陷阱，局中人命悬一线步步惊心！影片讲述了半瘫少女何思怡离家17年后，回到立于诡异孤岛的家中，迎接她的是美艳温柔的继母、风度翩翩的私人医生、年轻健硕的司机以及万般贴心的女佣，面具背后究竟藏着怎样万劫不复的深渊？一场蓄谋已久的复仇大戏渐渐拉开帷幕…

“老工业基地”是长春这座城市的重要标签，但却是一个死气沉沉的符号。在毫无特色的城市外肤下，一个个滚烫的摇滚青年用自己的体温，给这里带来了流动的血液。他们用自己的青春，给所有热爱音乐的人们，幻化出一场场酣畅的梦。 　　但是，他们却也在经历各自的悲喜人生。 　　实际上，并没有某种力量强迫他们推离现有的轨道，摇滚乐在这座城市中，仍在延续自己的发言。 　　这是一部记录长春地下摇滚乐的影片。是一段历史，也是一段未来。

斯洛文尼亚某个边陲小镇上的单身汉佩罗（Gregor Bakovic 饰），与姐姐、姐夫住在一起，而家庭成员却多为问题人物。佩罗的父亲因失去妻子而罹患抑郁症，多次试图自杀。侄子惹是生非，麻烦不断，侄女则是个聋哑患者。 　　佩罗同时是一名的职业葬礼发言人，他以其幽默诙谐和真挚令每场葬礼独具特色，虽然他的演讲往往带入个人的情愫，然而出席者仍会为这个美妙的误会而感伤落泪。甚至他的家人都希望死在他的前面，来让佩罗为自己办一场高质量的告别仪式。

The title is a Russian expression meaning "I wish to speak". This is one of my three favorite Panfilov films which I consider masterpieces, the other two being "Nachalo" and "Tema"; Panfilov wrote this script by himself it seems. It shows, this film is genius. For me, this is honestly one of the most thought-provoking films of my life. Perfectly written. It is about a family woman who was made the mayor of a town. I am mystified by this film. Not since Tarkovsky have I felt this strange spiritual energy, and that's saying something. This is the last Panfilov film I saw, I've seen five others. The incredible world of the characters is what reminds me of a Tarkovsky movie. This movie is about a family. It could be said to be about a lot of things. But to me this film is about communism. I can't have enough room to write and express all the incredible thoughts and scenes contained in this movie, nor would I want to. But I must say how realistic and natural the script and acting are and how poetic and beautiful yet simple the cinematography is. This films is about the ideals and morals of communism that any human being with a conscience can relate to: want for peace all over the world, a sense of duty to make the world better, love of your country and respect for all men and women. This mayor is still an attractive young woman, but she is stern when she needs to be and she can be rude and takes her job very seriously. But she also spends a lot of time with her family, she was a champion marksman, her husband is a soccer coach, they have two kids, son and daughter. This film uses some real Beatles songs, "Ob-La-Di, Ob-La-Da" for instance is played almost in it's entirety in the first 10 minutes, which I still find to be 10 of some the most incredible minutes in film ever, just incredible poetry. This film is definitely not for everyone, but it is a very good film, with an even more important message. It reminds me of an Oliviera film, because of long talking scenes. This film is definitely a nostalgic piece now that communism ended, especially because that is specifically it's topic. Also it paints a very realistic picture of what the feel under communism was for most working normal people, and it wasn't fear but togetherness. If you want a film that isn't propaganda and is very human and shows what a normal individual who is a communist "sees" in it, definitely watch this film, it is the one and only to treat the topic so respectfully and truthfully, the only other one is "U Ozera", IMO. The story is fiction but the ideas are absolutely true, in the end it doesn't matter what the directors/writers stance on anything was, he understood his subject and was inspired by it enough to make this poetic film, and I thank him.

Wang Hao is in an open relationship with Gezi, a yoga enthusiast. He makes efforts to participate in Gezi's yoga practice every time they spend together, but his possessiveness grows along with physical discomfort. However, he knows that confessing himself would mean losing Gezi. One summer afternoon, they meet on the outskirts. Wang Hao weaves traps with his words, praying for Gezi to fall into them and stay with him, while Gezi remains loyal to her feelings and reiterates her definition of a close relationship. Their verbal dispute concludes with impulsive actions by the lakeside. Gezi promises to stay for the night. Wang Hao’s uncomfortable body finds the most comfortable position at the moment, even if it means curling up and leaning against Gezi's ear. Perhaps, a spontaneous dance of contact is the true interpretation of their relationship.